Antony and Cleopatra

Kim Cattrall

Theatre credits include: Private Lives (Vaudeville Theatre); The Cryptogram (Donmar Warehouse); Whose Life Is It Anyway? (Comedy); Wild Honey (National Theatre on Broadway); The Misanthrope (Chicago Goodman Theatre); Miss Julie (McCarter Theatre); Three Sisters (LATC); A View From the Bridge (Lee Strasberg); The Rocky Horror Picture Show (Toronto) and Agnes of God (Ensemble Studio Theatre).

Television credits include: Any Human Heart, The Sex and the City series, My Boy Jack, Oliver Stone’s Wild Palms, The Heidi Chronicles, Scruples and The Bastard.

Film credits include: Roman Polanski’s The Ghost Writer, John Boorman’s Tiger’s Tale, Sex and the City: The Movie 1 and 2, Meet Monica Velour, The Return of the Three Musketeers,  Star Trek 6: Tribute, Big Trouble in Little China, Live New Girls, Bonfire of the Vanities, Mannequin and Ticket to Heaven.

Jeffery Kissoon

Theatre credits include: Mahabharata (Karna); Hamlet (Ghost and Claudius) (Dir. Peter Brook); A Midsummer Nights Dream (Oberon) (Dir. Robert Lepage); Oedipus The King (Dir. Sir Peter Hall); Caucasian Chalk Circle (Theatre du Complicite); Fix up (Brother Kiyi) and The Coup (National Theatre); Life is a Dream (Basilio) (Dir Calixto Bieti), Macbeth, Othello and The Tempest (Prospero) (Birmingham Rep); The Free State (Dir. Janet Suzman); Tamburlaine, Marat / Sade and Threepenny Opera (Glasgow Citizens); The Meeting (Malcolm X), The Dove, Cheapside, The Island and Glorious Things (Warehouse Croydon); Nathan the Wise (Sultan Saladin) (Chichester Festival Theatre); Orestes (Tyndareos);War and Peace (Prince Balkonsky) (Shared Experience); Julius Caesar (Brutus) and As You Like It (RSC); Resurrection (Litchfield); In The Solitude Of Cotton Fields (Almedia Theatre); The Merchant of Venice (Prince Morrocco) (Dir. Sir Peter Hall); The Gods are Not To Blame (Talawa Theatre); Oroonoko (Glasgow Citizen); Kingdom of Earth (English Speaking Theatre, Vienna) and Marino Faliero (The Young Vic).

Television credits include: Doctors, Casualty, Kiss of Death (Pilot), Holby City, Miss Marple, Grease Monkeys, Eastenders, Brother and Sisters, Space:1999, Beryl’s Lot, Dalziel and Pascoe, Very Like a Whale, Cargo Kings, Grange Hill, Joe and Mary, Rocky Marciano Is Dead, The Bill and Young Indiana Jones: Tales of Innocence.

Film credits include: Nativity, Dirty Pretty Things, The Tragedy of Hamlet, Hamlet Only Love, Underbelly, Crossing Bridges and Ham and The Piper.

Radio credits include: Tamburlaine: The Shadow of God, Rudy’s Rare Records, Atonement, The Ministry of Performing Arts, Dionysos, Broken Chain and Gone.

Directing credits include: Knock Down Ginger (Croydon Warehouse); The Meeting (Ka-Zimba Theatre-Nubian Nights); Ave Africa (Double Edge Theatre); Invisible Man (Afro sax); Danny and The Deep Blue Sea (Nubian Nights); Naked Soldiers (Croydon Warehouse) and Invisible Man (Notting Hill Art Festival). 

Ian Hogg

Ian trained at the Central School of Speech and Drama and at the Drama Centre, London.

Theatre includes: Haunting Julia/Life and Beth (Stephen Joseph Theatre); Marat/Sade, US, Prospero in The Tempest, (all Peter Brook RSC productions); The Jew of Malta, Equus, Merry Wives of Windsor and Coriolanus (RSC 1964-1972 appearing in twenty seven of Shakespeare’s plays); Sons of Light (Tyneside Theatre Company); The Price and Arturo Ui  (Bristol Old Vic); The Way Of The World (Chichester Festival Theatre); The Seagull (Clywd Theatr Cymru); The Fishing Trip (Croydon Warehouse); St Joan (Cambridge Arts Company); Faith Healer (National Theatre in Sante Fe); Edward II (Foco Novo); AC/DC (Royal Court); The Last Meeting Of The Knights Of The White Magnolia (Hampstead Theatre); Donkey’s Years (Globe Theatre); King Lear (Old Vic); Henry IV (Wyndhams Theatre); Hamlet and Sleuth (Sheffield Crucible); Insignificance (Donmar Theatre); Don Carlos (Gielgud Theatre); Troilus And Cressida (Edinburgh Festival and Stratford-upon-Avon); For Services Rendered, Thee And Me, The Interlude, Mary Stuart and Henry V (National Theatre 1979-81); Desire Under The Elms (Glasgow Citizens Theatre) and Heartbreak House (Watford Palace Theatre). His latest work for the RSC was from 1996-2002: Wolsey in Henry VIII, Cymbeline, As You Like It, Romeo and Juliet and the title role in Julius Caesar.

Film Includes: King Lear, Macbeth, A Last Valley, To Build A Fire, Henessy, Escape From the Dark, Lady Jane, Very Like A Whale, The Hireling, Meetings With Remarkable Men, Little Dorrit, Pin For A Butterfly and Rasputin.

Martin Hutson

Theatre credits include: Taking Sides and Collaboration (Chichester festival Theatre and West End); The Voysey Inheritance and The Mandate (The National Theatre); The Rubenstein Kiss (Hampstead Theatre); The Comedy of Errors and Charley’s Aunt (Sheffield Crucible); Titus Andronicus and As You Like It (RSC); The Rivals (Bristol Old Vic); Our Country’s Good and Cyrano De Bergerac (Nuffield Theatre); Love in a maze (Watermill Theatre); Five Finger Exercise (Salisbury Playhouse); Hamlet (Elsinor Denmark and Birmingham Rep); Ghosts and Another Country (West End); As You Like It (Sheffield Crucible and Lyric Hammersmith); The Jew of Malta (Almeida); The Tempest (New Vic Theatre); The Merchant of Venice (Birmingham Rep and tour) and Mansfield Park (Tour).

Television credits include: The Passion, A Very British Sex Scandal, Foyles War, Midsomer Murders, Casualty, New Tricks and Doctors.

Film credits include: Who Gets The Dog, Atonement, One for the Girls and Virtual Sexuality.

Martin Herdman

Theatre credits include: Car Thieves (Birmingham Rep); A Midsummer Nights Dream and Dear Brutus (Nottingham Playhouse); The Ladykillers (National no.1 Tour); A mad World My Masters and As You Like It (Shakespeares Globe) and Merry Christmas Mr Burbage (Curtain Theatre).

Television credits include: Above Suspicion, Parents of the Band, The Bill, My Family (Christmas Special), The Catherine Tate Show, The Gill Mayo Murders, Hotel Babylon, Holby City, Class of ’76, Big Dippers, Max and Paddy, Rose and Maloney, The Gridd, Grass, Midsomer Murders, Murder in Mind, High Hopes –Series Two, Doctors, Big Cat, Family Affairs, Wycliffe, Berkley Square, Bramwell – Series Three, Coronation Street, Have Your Cake, Mcliable, Trail & Retribution, Drop the Dead Donkey, Eastenders, Silent Whitness, The Govenor, The Knock, Bodyguards, Open Fire, Soldier Soldier, Demob, London’s Burning and Fool’s Gold.

Film credits include: Stormbreaker, Revolver, The Great Dome Robbery, Unconditional Love, First Knight and Savage Hearts.

Radio credits include: DIY (Radio Wales).

Before Martin became an actor he was a professional sportsman for six years in two different sports. He was a Heavyweight boxer and also a professional rugby league player, he played for the Fulham RLFC and also for Wales.

Aicha Kossoko

Theatre credits include: Welcome To Thebes and The Observer (National Theatre); La Dispute (Abbey Theatre Dublin); Yours Abundantly (Gillian Plowman Productions); Richard III (Southwark Playhouse); Blithe Spirit (Watford Palace); The Evocation of Papa Mas (Told By An Idiot); The Magic Carpet (Lyric, Hammersmith); Celestina (Birmingham Rep/Edinburgh International Festival); Signes de vie (Igi Theatre Company); The Vagina Monologues (Arts Theatre); Monkey (Young Vic); Wedding Story (Soho Theatre); the title role in Andromache (Living Pictures); Macbeth and Yerma (BAC); The Old Curiosity Shop (Southwark Playhouse); The Cherry Orchard, Demons and Dybbuks, The Black Dahlia and Buried Alive (Method and Madness); The Two Gentleman of Verona (The Globe); Antony and Cleopatra (Riverside Studios); Julius Caesar (Alley Theatre, Houston); and Inheritance (Eastern Angels).

Recent film credits include: The Fever and Claude Chabrol’s La comédie du pouvoir.

Various productions for BBC Radio/World Service including; The Number One Ladies Detective Agency and Today.

Gracy Goldman

Theatre credits include: Dream of the Dog (Finborough and Trafalgar Studios); The Lost Voice (Royal Festival Hall); Re:Design and Egusi Soup (National and International tours for Menagerie Theatre); Great Expectations (New Vic Theatre, Stoke-On-Trent); You Can’t Take It With You and The Winter’s Tale (Southwark Playhouse); Chasing The Moment (Arcola Theatre); Quabuka (Oval House); Beautiful Thing (Leicester Haymarket); The Tempest (Theatre Royal, Bury St Edmunds); The Winter’s Tale, Tempest and Pericles (RSC); The Woods (Bristol Theatre West); Broken Voices (New Company); Othello and The Sneeze (Good Company, National tour); The Wolf Road (Gate Theatre); The Little Violin and The Magic Box (The Tricycle); Summer in the City (Bristol Old Vic and BAC) and An Enchanted Land (Riverside Studios).

Television includes: The Bill, Ruth Rendell Mysteries, Doctors, Casualty, The Detectives, Between The Lines, Crown Prosecutor, The Knock, Soldier, Soldier and Auf Eigene Gefahr (German TV).

Film includes: The Plant and Metamorposis.

Muzz Khan

Muzz trained at Webber Douglas.

Theatre credits include: Flathampton (Northampton Royal & Derngate Theatre); Snookered (Gate Theatre / Tamasha Theatre Co);  Mixed Up North (Out Of Joint); Bully Richard (Tara Arts); Fewer Emergencies (Albany Theatre); One Nineteen (Arcola Theatre); Blue Funk (Old Red Lion);   Incendiary (Oval House Theatre) and Felt Effects (Theatre 503).

Television credits include: 9/11: State of Emergency (Nutopia Films); Bradford Riots (Oxford Films); No Angels (Channel 4) and Hetty Wainthropp Investigates (BBC).

Film credits include: Four Lions (Warp Films), Iyi Seneler Londra (ZZ Productions) and East Is East (FilmFour).

Radio credits include: Silver Street (BBC Asian Network); Siege, Mercy, Street & Lane and Maps For Lost Lovers all for BBC Radio 4.

Muzz is a professional DJ and resident at Ministry of Sound, London’ to the end.

Offue Okegbe

Theatre credits include: Big White Fog (Almeida Theatre).

Credits whilst training include: The Libertine, A Going Concern, Guys and Dolls, A Midsummer Night’s Dream, Master Harold…and The Boys, Roberto Zucco, Meat Money Jesus, The Lion and The Pig, The Seagull, The Basset Table, King John, Antigone, The Changeling, The Sisterhood and Plenty.

Other credits include: The Merchant of Venice (Baron’s Court Theatre); Six Degrees of Separation (Tower Theatre); The Crucible and Man of Mode (Brighton Dome Youth Theatre / Inservice Productions); The Secret Rapture and The Way of the World (University of Sussex) and Histronics (Ediburgh Fringe 2008).

Bhasker Patel

Theatre credits include: Nation, The Royal Hunt of the Sun, Playing with Fire, Wicked Yaar, Tartuffe, The Magic Carpet, A Map of the World, No Zealot Like a Convert and Hebron (National Theatre); A Passage to India, Aladdin & the Enchanted Lamp, Open All Hours, Whale, Comedians, The Comedy of Errors, Hijra, Timon of Athens, Blood, The Great Celestial Cow, Zameen, Little Clay Cart, Vigilantes, Mr Robinson's Party, Macbeth, All the Fun of the Fair, Film Film Film, Mowgli and Ramayana.

Television credits include: The Garden, Spooks, Law and Order, Moving On "The Rain Has Stopped", Compulsion, Skins, Fairy Tales - Billy Goat, Dr Who, Holby Blue, Trial and Retribution, Dalziel and Pascoe, Only Fools and Horses, Roger Roger, Funland, High Hopes, My Family, Dirty Filthy Love, The Bill, Casualty, Coronation Street, The Last Detective, Murder in Mind, State of Mind, Sea of Souls, The Scarlet Pimpernel, Game On, Two Oranges & A Mango, Birds of a Feather, Jewel in the Crown, Crown Court, Civvies, NCS, A&E, Happy Birthday Shakespeare, Pure Wickedness, Brookside, Coronation Street, Keen Eddy and Canterbury Tales - The Sea Captain's Tale

Film credits include: Drachenfutter (CIVIS Award for Best Actor), The Infidel, Anuvahood, Junkhearts,  The Golden Boy, Indigo, Kidulthood, Thunderbirds, "8" Person to Person, Being Human, Goldeneye, My Son the Fanatic, Wild West, Brothers in Trouble, Arabian Nights, Call of the Toad, Immaculate Conception, A Business Affair, Twin Town, Transatlantis, Flight, Partition, Mad Dogs, It's Not Unusual, Don't Stop Dreaming, My Beautiful Launderette, Octopussy, Indiana Jones and the Temple of Doom, Tenner, Morning Echo, Thank You Mr President, The Family Portrait, Rent and Shona May.

Radio credits include: The Archers and many for BBC.

Simon Manyonda

Theatre credits include: Welcome to Thebes (National Theatre).

Credits whilst training include: Just For Fun, Totally Random, Master Harold and the Boys, Meat Money Jesus, The Seagull, After the Accident, Black Comedy, Some Explicit Polaroids, The Basset Table, The Eumenides, The Misanthrope, The Tempest, The White Devil, Dirty Butterfly and The Dutchman.

Film credits include: How It’s Done.

Mark Sutherland

Credits whilst training include: Master Harold and the Boys, The Libertine, A Going Concern, Guys & Dolls, A Midsummer Night’s Dream, Meat Money Jesus, The Seagull, The Provok’d Wife, The Tempest, Antigone, The White Devil, The Misanthrope and Some Explicit Polaroids.

Alex Blake

Alex trained at LAMDA

Theatre credits include: An Enemy of the People (Crucible Theatre Sheffield); Too True To Be Good (Finborough Theatre); The Bear (Camden People’s Theatre); The Depth (Arcola Theatre); Hamlet (The Factory); Titus Andronicus (Mercury Theatre Colchester); The Tragedy of Nero (Shakespeare’s Globe); The Comedy of Errors (International Shakespeare Festival, Neuss); Julius Caesar (Menier Chocolate Factory); Macbeth (Lost Theatre); Tamburlaine The Great (Rose Theatre, Southwark); Run For Your Wife and Trap For a Lonely Man (Frinton Summer Theatre). 

Television credits include: The Palace, Midsomer Murders, Silent Witness, Prime Suspect 7, Longford, Pinochet In Suburbia, Ultimate Egypt: Secret of the Rosetta Stone, Bleak House, The Bill, William and Mary, Last Rights, The Government Inspector and Inspector Lynley.

Film credits include: Chatroom, Amazing Grace and Lump.

Robert Orme

Theatre credits include: As You Like It (Off The Ground Theatre Company); Coriolanus and The Giant (RSC); The Bullet (Edinburgh Fringe); Journey’s End (Background) and A Midsummer Night’s Dream (Young Shakespeare Company).

Television credits include: Doctors, The Crusades and Turpitz.

Film credits include: Alexander.

Ross Armstrong

Ross Trained at RADA

Theatre credits include: Hamlet (Donmar Warehouse); Cyrano De Bergerac (Chichester festival Theatre); Wordplay (Theatre 503); The White Devil (Menier Chocolate Factory); Hapgood (Birmingham Rep) and Henry V (Royal Exchange Theatre, Manchester).

Film credits include: Invisible Eyes, Wait and The Decoy Bride.

Mark Gillis

Theatre credits include: Canaries Sometimes Sing (Old Red Lion); As You Like It, Macbeth and Troilus and Cressida ( Royal Shakespeare Company); Dolls House and Hedda Gabler (BAC); Shopping and F***ing (Old Museum Arts Ctr, Belfast); The Dumb Waiter (Kings Head and Lee Strasberg Theatre); Sleeping Beauty (Salisbury Playhouse);The Memory of Water (English Theatre, Vienna); Gatsby and Crystal Clear (Kings Head Theatre); Ivanov (Bridewell Theatre); The Picture of Dorian Gray (Finborough); Writer/Performer in comedy act, 76A (UK Tours), Whose Life Is It Anyway (European Tour); Waiting for Godot and The Caretaker (Il Palchetto, Italy).

Television credits include: Silent Witness, Eastenders, Holby City, The Bill, Antenna, Emmerdale, Grange Hill and The Brittas Empire.

Film credits include: Absolute Hell, Prick, Jean Moulin, Either/Or and An Ideal Husband.

Web Credits include: Working From Home and The Gran Whisperer (TooBigToPlay.com)

Writing and Directing Credits include: Landing (Short Film) and A Quiet Drink (Short – UK Film Council)

Writing Credits include: Several screen plays including TOMO in pre-production for Lunar Filds, producers Matthew Justice (Hallam Foe) and Iain Canning (The Kings Speech), According to his Need (first play), currently in development after it’s rehearses reading at the National Theatre Studio.

Oliver Hoare

Theatre credits include: A Midsummer Nights Dream, Tess of the D’urbervilles, Translations, After Miss Julie and King Lear (Bristol Old Vic Theatre School) and The Lost World (Bristol Old Vic Theatre Company).

Film credits include: Crusade (Kasander Productions); and House Of Boys (Deluxe Productions).

Rory Fleck-Byrne

Credits whilst training include: La Dispute, Cleansed, Loyal Women, Man & Superman, The Man of Mode, Tombstone Tales, Agamemnon, Death of a Salesman, Troilus and Cressida, Wild Honey, Rutherford and Son, The Lieutenant of Inishmore and The White Devil.

Other Theatre Includes: Carousel (TRÉ live theatre and radio broadcast).

Film credits include: Moondance award winning Steal Away (Mike).

Ken Shorter

Theatre credits include: Macbeth (Shakespeare’s Globe); Two Gentlemen of Verona (Northcott Theatre); Baby Doll (Birmingham Rep and National Theatre); The Ash Girl, Magic Island and The Servant of Two Masters (Birmingham Rep); The Tempest (Polka Theatre); Twelfth Night and Royal Hunt of the Sun (Prospect Co.); Red Devil Battery Sign (Roundhouse and Pheonix); The King (Shaw Theatre); Leave Him to Heaven (New London); Much Ado About Nothing, Two Shakespearian Actors, King Lear and Macbeth (RSC); A View From the Bridge and Jane Eyre (Everyman, Cheltenam); Arabian Nights (London Bubble); Amadeus (Sheffield Crucible); Mozart & Salieri (Nuffield Theatre); Rockabilly (Tour); Hamlet (RSC Tour);The Rocky Horror Picture Show (Munich and Milan) A Patriot For Me and Marat-Sade (Leeds Playhouse) and The ‘Ball Player’ in Insignificance (Liverpool Everyman – directed by Jonathan Martin).

Television credits include: Holby City, Casualty, the Bill, Rockcliffe’s Babies, Oscar Charlie and Persuasion.

Film credits include: Dragon Heart 2, Dragonslayer, Scrubbers, Ploughman’s Lunch and Ned Kelly.